Photos

Photo by Szilvia Csibi
Photo by Szilvia Csibi
Photo by Szilvia Csibi
Photo by Szilvia Csibi
Photo by Szilvia Csibi
Photo by Szilvia Csibi
Photo by Szilvia Csibi

Videos

Joseph HAYDN (1732-1809): B-dúr "Theresienmesse", 1799 Hob. XXII:12 / Gloria
Wolfgang Amadeus MOZART (1756-1791): Idomeneo, K 366 / No. 24 Coro, "Oh voto tremendo!"; No. 25 Marcia
Wolfgang Amadeus MOZART (1756-1791): Idomeneo, K 366 / Recitativo, "Solitudini amiche"; No. 19 – Aria, "Zeffiretti lusinghieri"
Wolfgang Amadeus MOZART (1756-1791): Idomeneo, K 366 / Overtue
Georg Philipp TELEMANN (1681–1767): Jesus Christus, unser Heiland, TWV 1:976 / 9. Ultima Aria
František Ignac TŮMA (1704-1774): Miserere in f (AMC, T. 8.) / 1. Adagio
SCHOSTAKOWITCH: Cello Concerto No. 1, Arne Zeller
MOZART: Idomeneo, K. 366 („Oh, smania – D’Oreste, d’Aiace”), Katalin Szutrély
THOMAS: Psyché (1857 version)
Ferdinand SCHMIDT (1694-1756): c-moll Requiem / Agnus Dei; Lux aeterna
LISZT: Die Legende von der heiligen Elisabeth
PUCCINI: Manon Lescaut
LALO: Le Roi d'Ys
Bach: St. John Passion (Opening Chorus) - concert excerpt (Live at Müpa Budapest)
MOZART: Concerto for Two Pianos in E flat major, K. 365 (III. Rondo: Allegro), Petra Somlai, Mihály Berecz
MASSENET: Werther (baritone version)
LALANDE: Grands motets (Quare fremuerunt, O filii, Notus in Judeae, Nisi quia)
CHERUBINI: Les Abencérages
STÖLZEL: Jesus, als der für das verlorene Schäflein leidend- und sterbende gute Hirte (Passion, 1727)
HAYDN: Die Schöpfung (FULL)
GERVAIS: Grands motets (Judica me, Omnes gentes, Exaudi, O filii, Usquequo, Te Deum)
CONTI (Missa Sancti Pauli), VIVALDI (Gloria), BACH (O Jesu Christ BWV 118)
HANDEL: Messiah (FULL)
SCHUBERT: Mass in E flat major D. 950 - Sanctus
RAMEAU: Les Indes galantes - Les Incas du Pérou, Scéne 4 - Adoration du Soleil
RAMEAU: Les Indes galantes - Le Turc généreux, Scéne 6 - Duo et chœur: "Volez Zéphires..."
MENDELSSOHN: Elias
TELEMANN: Brockes-Passion, TWV 5:1, No. 2 "Mich vom Strikke meiner Sünden"
RAMEAU: Les Indes galantes - Les Sauvages, Scene 5 (excerpt)
Handel: Messiah - excerpt (Live at Müpa 2018)
RAMEAU: Naïs - Acte III. Scéne 5 - Premier et deuxième Tambourin pour les Divinités de la mer
RAMEAU: Naïs - Acte II. Scéne 6 – Musette
MOZART: Litaniae de venerabili altaris sacramento K. 243 - Kyrie
SCHUBERT: Mass in E flat major D. 950 - Dona nobis pacem
MONDONVILLE: Isbé - Acte 5: Je n'aimerai que vous...
MONDONVILLE: Isbé, Acte 2 - Dieux, qui protégez nos boccages
MONDONVILLE: Isbé - Acte 2: Chantons, dansons
MONDONVILLE: Isbé, Acte 4 - Voyez couler mes larmes
MOZART: Idomeneo K. 366 - No. 17 Qual nuovo terrore, No. 18 Corriamo fuggiamo
J. S. Bach: Christmas Oratorio (Live at Müpa Budapest)
MENDELSSOHN: Lauda Sion Op. 73 No. 7, 8
MONTEVERDI: L'Incoronazione di Poppea
J. S. BACH: Weihnachts Oratorium BWV 248 No. 36
J. S. BACH: Weihnachts Oratorium BWV 248 No. 20-23
RAMEAU: Platée - Acte III. Scène 6-8
MENDELSSOHN: Paulus, Op. 36 No. 11
HANDEL: Theodora HWV 68 No. 55-58
Early music at Palace of Arts – interview with György Vashegyi (2012)

György Vashegyi

Hungarian conductor György Vashegyi (b. 1970) is a striking figure on the international classical music scene for a number of reasons.

First and foremost, because he is both a specialist in Early music and a fully trained professional conductor, a rather rare combination. Furthermore, his versatility could be described as unrivalled. Maestro Vashegyi's repertoire encompasses well-known and lesser-known masterpieces spanning five centuries, from the seventeenth century to the present day. Moreover, he is equally at home with symphonic works as he is with the operatic repertoire.

The number of works (operas, oratorios, masses, symphonies, concertos) that he premiered or rediscovered for our time runs into the many dozens, as is also evident from his internationally acclaimed discography.

Maestro Vashegyi's extensive experience in opera is reflected, among other things, in the way he accompanies his vocal soloist(s) and/or instrumental soloist(s), who are invited to phrase their parts freely and expressively, whilst the orchestra 'breathes' with them and follows their lead. A thorough study of the musical sources always forms the basis of his interpretations.

As well as Hungarian, Maestro Vashegyi speaks English, German, French and Italian, and in his interpretations of vocal music he is constantly seeking to strike the most meaningful balance between the music and the sung text.

Maestro Vashegyi is also a very curious and investigating conductor, who is always open for interesting program suggestions and for studying unknown or new high quality scores.

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Full biography →